16 816 безплатни аудиофайлове за "Midi Files By Peter Gerloff"

Dominant thirteenth: four-voice version. "This disposition is typical." Created by Hyacinth (talk) 18:33, 30 May 2011 (UTC) using Sibelius 5.

Octaves marked middle octave. Created by Hyacinth (talk) 07:54, 3 January 2012 (UTC) using Sibelius 5.

Thirteenth chord CMI7(add13). Created by Hyacinth (talk) 18:56, 4 July 2009 using Sibelius 5.

Octaves marked highest octave. Created by Hyacinth (talk) 07:54, 3 January 2012 (UTC) using Sibelius 5.

Tonic thirteenth chord on F. Created by Hyacinth (talk) 22:14, 1 July 2009 using Sibelius 5.

Seventh augmented eleventh chord on C.

My Thoughts, 1930 Australian Aboriginal spiritual by Tom Foster (1870–1940), Tharawal Australian Aboriginal with sample drum beat – all rights waived

Thirteenth chord C13(b9). Created by Hyacinth (talk) 19:39, 4 July 2009 using Sibelius 5.

Multi-octave F major chord with octaves marked by brackets. Created by Hyacinth (talk) 07:47, 3 January 2012 (UTC) using Sibelius 5.

Thirteenth chord C13. Created by Hyacinth (talk) 18:56, 4 July 2009 using Sibelius 5.

Ninth flat five chord on C. Created by Hyacinth (talk) 12:26, 29 May 2011 (UTC) using Sibelius 5.

Thirteenth chord based on minor triad. Created by Hyacinth (talk) 13:43, 7 July 2009 using Sibelius 5.

Minor eleventh chord on C. Created by Hyacinth (talk) 15:25, 27 July 2008 in Sibelius.

Thirteenth chord with flat ninth. Created by Hyacinth (talk) 13:36, 7 July 2009 using Sibelius 5.

Thirteenth chord inversion with no fifth or ninth and the flatted seventh in the bass. Created by Hyacinth (talk) using Sibelius 5.

Thirteenth chord inversion with no fifth or ninth and the flatted seventh in the bass. Different voicing for guitar.

Thirteenth chord CMA13. Created by Hyacinth (talk) 18:55, 4 July 2009 using Sibelius 5.

Dominant seventh flat nine chord on C. Created by Hyacinth (talk) 17:06, 10 July 2008 using Sibelius.

*Pi on C. π = 3.14159 = 1981.79 (octave and 781.79 cents) cents. MIDI pitch bend: 79,59

*Wallis product (pi/2) on C. π/2 = 781.79 cents. MIDI pitch bend: 22,90 on P5

Thirteenth chord CMI13. Created by Hyacinth (talk) 19:35, 4 July 2009 using Sibelius 5.

Thirteenth chord C13b9. Bass note: C or alternatively G. Created by Hyacinth (talk) 01:33, 6 July 2009 using Sibelius 5.

Thirteenth chord CMA7(add13). Created by Hyacinth (talk) 18:55, 4 July 2009 using Sibelius 5.

Ninth chord on C: CEGBD.

Major seventh sharp eleventh chord on C. Created by Hyacinth (talk) 17:56, 4 July 2011 (UTC) using Sibelius 5.

Thirteenth chord C13sus. Created by Hyacinth (talk) 19:35, 4 July 2009 using Sibelius 5.

Octaves marked lowest octave. Created by Hyacinth (talk) 07:51, 3 January 2012 (UTC) using Sibelius 5.

Thirteenth chord C13(sharp11). Created by Hyacinth (talk) 19:37, 4 July 2009 using Sibelius 5.

Thirteenth chord Cm13(+11). Created by Hyacinth (talk) 13:36, 7 July 2009 using Sibelius 5.

Seventh sharp nine chord on C. Created using Sibelius.

Thirteenth Polychord - Separate chords within an extended chord.

Perfect octave on D-sharp, as MIDI.

Just augmented sixth on C. 225:128 = 976.54 cents.

Modulation to the dominant in Haydn's Symphony in C Major, No. 97, Movement III Menuetto, measures 0-8 (piano reduction). Compiled from Murphy, Melcher, and Warch (1973). Music for Study, p.115. ISBN 0-13-607515-0; August Horn's piano reduction; and Howard Chandler Robbins Landon's full score edition. Roman numeral analysis added.

Die Könige, aus: Weihnachtslieder Opus 8,3 von Peter Cornelius. Die Klavierbegleitung stellt den Choral Wie schön leuchtet der Morgenstern dar.

Ausschnitte aus Schuberts Klaviersonate DV 784

First eight bars of the 3rd movement of Ludwig van Beethoven's Piano Sonata No. 21 in C major, Op. 53, the Waldstein.

Piano Sonata No. 8 (Beethoven) first movement (Grave – Allegro), 30 KB, 6:57 minutes

Symphony No. 9, movement 4, Op. 125

Schubert - op. 29, D.804, I, mm.144-49. Enharmonic modulation using a common viio7, enharmonic in two keys.

Chromatic modulation in Bach's Du grosser Schmerzensmann, BWV 300, m. 5-6 transitions from FM to dm through the inflection of C to C between the second and third chords. Note that there is no common chord.

C triad open position.

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of double whole notes. =60.

Jephte - Plorate filii Israel

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of 128th notes. =60.

C major and E minor contrast through their respective notes C and B (in red and orange), each a half step apart or leading tones. The chords share two notes (in blue) however.

日本語: ビゼー作曲「カルメン」第2幕の「カンツォネッタ」の一部 Part of Georges Bizet's Carmen

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of half notes. =60.

Hippopotamus rhythm

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of quarter notes. =60.